Composition and seeing
Train the eye before the hand: thumbnail sketches, rule-of-thirds framing on a 3×3 grid, cropping studies. Ends with 30 composition studies you can defend.
Six stages, one order
Learn composition first, then typography, grid, color and tools — and finish with a portfolio, in that order, because each stage is the prerequisite for the next. Budget 300-500 hours of deliberate practice: at 5-10 hours a week, that is 6-12 months to a portfolio a professional can review. Every stage below ends with a deliverable and a check you can run without a teacher.
This page is not a school, a course marketplace or an agency portfolio — nothing here is sold, booked or enrolled in.
Scroll the strip sideways — 6 cards.
Train the eye before the hand: thumbnail sketches, rule-of-thirds framing on a 3×3 grid, cropping studies. Ends with 30 composition studies you can defend.
Set a 1.25 modular scale from a 16 px base, hold body copy to 45-75 characters per line and line-height 1.5-1.75 on screen. Ends with a typeset page that passes the line-length check.
Build on a 12-column grid with 16-32 px gutters inside a 1140-1280 px content width, all spacing on the 8-point system. Ends with a layout with zero off-grid elements.
Pair every text color to a measured ratio — 4.5:1 for body text under WCAG AA — and run the palette through a deuteranopia simulator. Ends with a documented palette.
Match the tool to the deliverable: vector for logos, raster for retouching, UI mockups at 2×, print at 300 dpi. Ends with four correctly exported files.
Write up each project as a case naming the constraints and the checks it passed. Ends with a portfolio ready for professional review.
By the numbers
Composition, typography, grid, color, tools, portfolio — in that order, because each stage is the prerequisite for the next.
The order is not a matter of taste. Composition trains you to see; typography gives you something to set; grid and spacing give the type a structure; color gives the structure a hierarchy; tools turn all of it into files other people can use. Reversing the order means learning software first and then unlearning the habits it baked in.
Each stage closes with a deliverable and a check you can run alone: a line count, a contrast ratio, a grid overlay. If the check fails, the stage is not done — that rule replaces the feedback a classroom would give.
At a steady 8 hours a week the six stages run about a year; at 10 hours a week the same path compresses toward 7-9 months. The steps below show the sequence with the failure that most often stalls each stage.
| Stage | What you practice | Hours | You finish with |
|---|---|---|---|
| 1. Composition and seeing | Thumbnail sketches, rule-of-thirds framing on a 3×3 grid | 40-60 h | 30 composition studies |
| 2. Typography | 1.25 type scale from 16 px, 45-75 characters per line, line-height 1.5-1.75 | 60-90 h | A typeset page that passes the line-length check |
| 3. Grid and spacing | 12-column grid, 16-32 px gutters, 8-point spacing | 50-70 h | A layout with every block on the grid |
| 4. Color and contrast | WCAG ratios, palette testing in a deuteranopia simulator | 50-80 h | A palette with every pairing measured |
| 5. Tools and hand-off | Vector vs raster, export at 300 dpi and 2× | 40-60 h | Logo, retouch and mockup in correct formats |
| 6. Portfolio | Case write-ups, self-audit against the checklist | 60-140 h | A portfolio ready for professional review |
Each figure is a checkpoint: if a number fails, the stage is not finished.